the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!

in perfect timing for the 10th bpitch control birthday, thomas muller presents his third solo release. born in paris, the berlin-elect has been in the city for about 2 years. certainly his current location has left an indelible mark on thomas creations - his deep and highly detailed soundscapes were already evident in the last release, >seduction< - a clear idiom into an increasingly dark realm. his current work continues consitently and ambitiously in the same vein.

a: dj ss & dubzero - this is the future: the track starts with a tense energizing build up, incorporating futuristic samples and sounds with a pulsing industrial feeling bass. the tempo builds up to a sharp climax and drops with force guaranteeing chaos on any dancefloor.
b: rollz - solid state: a new face at the formation records camp, rollz s debut track was hand picked by dj ss as a must for the album project. this track kicks off with a dark and eerie feel, building slowly to the chime of bells and echoing bass before dropping with intense punch that will take your breath away.
c: influx uk - stay on this channel: after a recent break from production influx uk returns on top form bringing with him the third track of the two-part release. stay on this channel has all the feel of previous influx smashers, a slow rhythmic snare guides the track as it builds with a jagged edge before dropping with shaking fluid samples and an earth moving bassline
d: generator & dj ss - killa: this track delivers exactly as its name promises. a melodic wobbling chord builds gradually to the sounds of a distant vocal sample, and intense climbing bass, which all combine and drop with sheer vengeance. expect to slay the masses when this tune is pulled out of the bag.

>i m that alley< is the new single from south african shock-poppers sweat.x. it comes as they embark on their two month european tour and is a taste of their forthcoming album >187<. >i m that alley< is a departure from vocalist spoek mathambos hyper-surreal rap style, and, together with markus wormstorms finely designed production, is a modern take on the classic synthpop love song. accompanying the title track is >the knife<, a freaked peek into the world of sweat.x, a favourite of their live shows, it finally gets released here. third track on the single is a remix of >i m that alley< by new york-based mike slott. slott has been making waves with his work as one half of heralds of change and this remix is his best work to date and is already being used to close out his live set. the release also includes instrumental versions of >the knife< and >i m that alley< for maximum club efficiency!

the third in struts inspiration information studio collaboration series brings together an intriguing pairing between one of africas great bandleaders, mulatu astatke, with the next level musicianship of the heliocentrics collective from the mighty roster of stones throw / now again. known primarily through the successful ethiopiques album series and the film soundtrack to jim jarmuschs ?broken flowers, mulatu astatke is one of ethiopias foremost musical ambassadors. his selfstyled ethio-jazz sound flourished during the swinging addisÑ era of the late 60s as he successfully fused western jazz and funk with traditional ethiopian folk melodies. the heliocentrics have become known as one of the uks foremost free-thinking collectives of musicians, inspired by a wide palette covering sun ra, james brown, david axelrod and all manner of psych, afro and eastern sounds. the collective have featured on records by madlib and dj shadow. now a fixture within the stones throw / now again roster, they forged their own genre-breaking directions in the astral analogue groove on their 2007 debut album, out there. a number of tour dates around the release and headline slots at festivals throughout 2009 have been confirmed.

in spring of 2006, jackpot began to fester in a stockholm apartment. without fresh air or natural light, the group developed its uniquely mutant strain of italo disco mixed with early 80s body music aided only by the sickly blue rays of late night tv. while the jackhammer rhythms of their music were proliferating in stockholm, jackpot dove into the deepest recesses of the electronic dance music psyche for the most primal of all rhythmic impulses - their own unmistakable sound - the sound of western culture falling apart in a blaze of shudders and hiccups. as late night sci fi reruns colored the room, jackpot also picked and chose amongst the psychotic debris of previous eras - the movies of kenneth anger, the music of suicide, velvet underground and bruce haack, the words of william s burroughs. and then they added the junkiest element of all - themselves. after two critically acclaimed records, the third chapter of the jackpot saga is about to be told. its called greased lightning (also features remix work from such talents as in flagranti and rory phillips). you hear that beat? thats them knocking on your door.

please welcome the very first release from >sundance<, which is fumiya tanakas third and newest label following >torema records< and >op.disc<. this ep contains two tracks by fumiya and ricardo villalobos !! no available as a digital release !! physical only !!

soweso records is here with their third release! after 2 very succesful releases itÆs now time for the romanian ali nasser to show us whatÆs up! ali has made a name for himself with his unique techhouse sound and ra ep is the cherry on top. three very diverse and well produced tracks, a stomping remix by newly signed viva artist leon plus a digital exclusive bonus remix by our newest amsterdam talent tom ruijg. early support by: lauhaus, kabale und liebe, shinedoe, karotte, matthias tanzman, dubfire, 2000 and one, dÆjulz, markus fix, ilario alicante and many moreà

the arctic monkeys much anticipated third effort was co produced by queens of the stone age frontman josh homme and james ford. humbug is a voyage somewhere new - its a richer, darker and more powerul sound. its heavy yet melodic mixing offhand self analysis with verbal assaults. turners charismatic vocals remain centre stage with that sweetening flutter of vibrato. the songs remain stories - fabulously wrought and told, set to thrilling and adventurous music. its a more grown up album of irony, guile, riffs and tunes, yet it still very much the arctic monkeys.

after hitting his stride in 2008 with his debut for mobilee one is not enough followed by his second release, sand on the floor, the one-man phenomenon is back for a third round for mobilees 55th release entitled first talk, an enthralling tech-house release that is as boundless as it is stunning. the a-side first talk is a bouncing techy track that constantly moves forward and progresses without sounding the least bit rushed, continuously teasing the listener with build-ups that stop just short of peaking. combining vintage synths and reverb-laced loops, and.id meticulously plays with dynamics and atmospherics with the end result being a release that constantly moves forward without sounding the least bit rushed. b1 ephoria maintains a similar level of compelling restraint, with stuttered house beats and melodic undercurrents that morph and shift until they transform into arpeggiated swells leading the track to its endpoint. on b2 lights on and.id displays his darker, more minimal side, taking advantage of lower frequency ranges and recurrent echoes

this release is played and got huge support by artists such as extrawelt, perc, xpansul, metalogic, tony rohr, dietrich schoenemann, xavier morel and many more. nachtstrom schallplatten is back with their 12th release and this time we are proud to present the newly formed project of niels paschen (known from his previous releases with his project noosphere) which is co-produced by one of the pioneers of electronic music and our special friend: marcus maichel (the delta / x-dream / desonanz).this unholy alliance delivers 3 superb techno-stompers which will make your booties shake on any dancefloor around the globe. while prototype is convincing with its driving phat bassline and sheer energy, seven seconds is packed with rolling grooves and psychedelic twists. the third track is taking the best elements of both tracks and combining them into a wild rollercoaster-ride which will turn you upside down

the third part of this limited edition 12 inch vinyl series sees craggz & parallel forces take time out of their busy album recording schedule to offer up >all my love<, showcasing their versatile production skills, while on the flip man of the moment s.p.y teams up with mosus on >saudade<, a beautiful yet devestating piece of electronic music.

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

dfa complete the set of black meteoric star tracks onto vinyl with >dreamcatcher/dawn< on the third and final 12 from the album. gavin russom has created a unique tribute to the early days of synth and drum machine experimentation with this project, inhabiting the spirits of everyone from giorgio moroder to ron hardy with hypnotically brilliant effects. >dreamcatcher< is another undiluted jam at 120bpm, sounding like a lo-fi moroder tripout with gorgeous arpeggiations swirling in a pool of shallow resonant tape hiss. >dawn< on the flip is the slowest track on the album, a sub 100bpm psyched electro-soul groove with cracking handclaps and an uncompromisingly lo-fi attitude. dead cool.

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.

unique and limited as always. here is the third release from the italian duo, the barking dogs. on the logo side, hi-nrg is a disco-infected housey tune, a real floo-killer for the peaktime hour! on the flip side, s.o.s. is a shiny mixture of 80 s raw beats, grovvey basses and weird vocals

the third release in audions slow-drip of new music is a devastating trifecta, a trio of tracks that hit hard and leave a mark. with each taste of the new audion, it becomes clear that matthew dears dancefloor alias is deeper, darker and more nuanced than ever before while maintaining a lose-your-mind edge that is impossible to resist.

the mighty cloaks return with their third offering so far on wax and the second deviant emission drawn from their groundbreaking new cd album release >versus grain<. they destroyed an expectant audience with dubplates of these tracks at the recent launch party in the infamous corsica studios venue in elephant & castle london - cloaks + funktion one pa x fresh wax = guaranteed devastation. generously cut at transition with ample bass pressure, this band marks a development we should have seen coming - where ministry fans finally learn some moves and the urban music posse get into some serious shredding.

wicked third release on the spanish reset imprint ft. cesar almena / wehbba / nuke and c. man - all delivering top quality club techno stompers!

the journey of a chillian sound influenced by a particular romanian flavor. this sounds wild! therefore, the material to follow will be focused on interesting work. pier bucci together with monochrome including the romanian artists livio & roby allying this time their third beloved partner george g, together they come out in a beautiful ep called, santiago de bucharest. what kind of connections can be found in these two culture background in the context of their own music expression? since last years south america represented a big influence in electronic music, with the latin vibes and soul! extremely obvious is that rumanian artists identify naturaly with latin influences as their common origins helped them easily to experience this into one and solid sound. despite of the latin common element which connect the artists, their soul and spirit it is expressed unique but different in their own particular way.

tales from top billin vol. 3: the third and final episode in the tales saga has been a long time coming and here it finally is. the ep is our favorite so far as we got 3 very special tracks from our international friends and another 3 bangers from within our helsinki crew. baltimore club legend dj booman sets it off with an exclusive unreleased version of pick em up, the 1997 club anthem that became one of the definitive records in the genre. the unforgettable chant combined with the all new and bangin beat is bound to wreck any party and until now the only way to hear this was in boomans own sets...

flying in from another disco dimension comes the return of the ædisco spaceship series. hot on the heels of volume 1, which featured æthe disco spaceship by laurie michael, ævolume two heads deeper into the cosmic void. first up we have a proper piece of et boogie from sylvia love. æextraterrestrial lover is an uptempo belter with a rapturous chorus and a driving bassline. check out the incredible heads down pulsating breakdown complete with keys and an incredible re-launch! here in both vocal and instrumental versions. on the flip we have another incredibly rare jam in the shape of pluton & humanoids æworld invaders. a dark sci-fi electro-disco epic with heartfelt vocoder vocals thats rare as hens teeth. the third instalment of ædisco spaceship series is in its launch pad with its ignition sequence started!

the third 12 inch in this essential edit series sees greg wilson reference his past as a disco dj in the late 70s and, subsequently, electro-funk pioneer of the early 80s. going way back to his golden guinea days, ruff wrap revitalizes a hidden gem from 1977 by lady love. this version of casey & finchs infectious miami groover, wrap your arms around me, was a record that, although never issued in the uk, was a particular club favourite on merseyside - its local popularity very much down to one of wilsons influences, terry lennaine, who championed the track on his weekly specialist soul show, keep on truckin. moving on 6 years to 1983, ruff rapp re-arranges the seminal west coast rap cut bad times (i cant stand it) by captain rapp, which was a monster tune on the black scene during the electro-funk era, having initially featured at wilsons club nights back then, legend and the hacienda in manchester, plus wigan pier. focusing on the social problems of the time, the subject matter of the lyric certainly translates to the current credit crunch climate. the crew behind >bad times< included jam & lewis and rich cason, whilst kimberly balls excellent vocal sets the whole thing off

this is what happens, the third release on the botanika label, is a story of two cities: tel-aviv, israel, represented on the a side by polar pair, and detroit, usa, represented by both atlantis, with a ferocious spoken word delivery, and mark flash, whose classic detroit soulful techno remix occupies the b side - both of whom hail from the underground resistance collective. the collaboration between polar pair and atlantis, the voice behind urãs classic transitions, came about after a meeting in tel aviv in spring 2007, and now the dubplate is creating serious club-buzz in the underground scenes of both cities, as in the ur related forums.

third, by far best and last chapter of the lebensfreude 5 year jubliee series! while the crew is worldwide on tour the third part of the lebensfreude compilation is released with tracks by ruede hagelstein, the mexicans fanfarrosa and d_bug and stuff from hungary by reecoba. in a nutshell - it all works out with a dance guarantee!

rick wade - first darkness the third release on our new born vinyl only sublabel that twists us arround these days like nothing else in this world. after the tremendous sucess of of ricks debut on laid 01 intelligence which had been a great kick off for our new imprint we couldt help but wonder: where we all in fact just dating the same person over and over again? but anyways here is just another wonderful record of one of our all time favourite producers mr. rick wade. as you can sense from the title rick wade once more employs some of his darker signature synths lines in the main track that provide a glorious sparkle of sublime athmosphere

lyrical wit is in abundance, magnified by russell maels soaring falsetto gymnastics. failure with the opposite sex is a recurring topic, from the adolescent fumblings of amateur hour to the resignation of falling in love with myself again. its easy to see why the teenage morrissey was a dedicated fan. the track that really grabbed the publics attention was this town aint big enough for both of us, a classic stomper with a gravity defying melody. 1974s kimono my house is the sound of sparks firing on all four cylinders, providing one of the most curious and comical albums of the 70s. freddie mercury wasnt the only operatic rocker on the block in the mid 70s. the genre was pretty much taken to its logical conclusion by ron and russell mael, the decidedly odd couple who formed the nucleus of sparks. dropping references to immanuel kant and yehudi menuhin, these boys werent your average dumb rock band. kimono my house was their third album, recorded after the brothers had relocated from la to london (where tolerance of tongue in cheek pomp pop was obviously much higher).

third single in fort knox fives radio free cd remixed series. australian hip hop producer jon ohms remixes the wonder strikes again, featurecast remixes killa soundboy, all good funk alliance remix sao funky and qdup foundation take a turn with the spirit of 75.

the third album of keith richards best mates! - 180gram vinyl in heavy slipcase with printed full colour innersleeves and stickered with special guests: keith richards, ronnie wood, joe brown. all songs produced by pete brown and brian james (from the damned). a masterpiece...what a blast - mojo

new out for the label balance recordings now called balance alliance born under the banner of prescription underground/records. balance alliance brings to you a series of collected gems of productions new and old. the concept is to introduce new sounds while keeping some underground cuts alive. this third release is like a good soup with many ingredients to complete the taste. this project is one of the mystery releases with a combination of vibes rather, artist, writers, producers or re mixers to complete the flavor. taking you back to the moments when it was all about the music. if you are a true music lover, then you have already guessed each artist own special touch. this 4 tracker is something you want to keep in your bag of goodies, with ingredients such as: mush, alton miller, minister mike, home & garden, ali meghji, chez damier, kenny carvajal, j tilla and daz i kue... all adding their touch to complete our essential meal of the day.

harada worked studiowise for a lot of well-known artists in the scene whilst he releases his own sound on labels like micro.fon, trapez, audio therapy uk, hope uk, freakwaves, greatstuff and many more renowned record companies in germany or across the border. for his third release on blufin he teamed up with jerl (mbf, get digital), delivering some beautiful summer sounds. phunklariques edit of sunday bells underlines his status as key artist of the electronic musicscene one more time, using his sense for shuffles and drumming he created a perfect choice for club sets.

produced by georgia anne muldrow! contains non album bonus track zoom ft. m.e.d. (stones throw)! 1st single from d.p.s third album holy smokes entirely produced by g.a.m.

third release on important corestyle and and after the great first two releases the label now proudly presents the first release of stormtrooper on this well respected german label! this busy man needs no further introduction, his mental productions on top labels like industrial strength, rebel scum, crowbar and many more, make him one of the most wanted industrial hardcore/hard techno producers worldwide. stormtrooper starts this 12inch of with rampage, a basic yet deadly effective hard pushing track full of massive percussion parts and grindin basskicks... this top track gets also a great kpx remix, this kid is known for the first important corestyle release and proves to be one of the rising stars in hardcore land with this excellent remix! the flip side offers breathing blood, a kickin track which is more experimental than rampage, check the cool breakdown on this one! last track is fuck everything, a dirty piece of industrial work which is takin your speakers to the maximum...excellent release by this mastermind, do not miss out!!

after mondkopf and 33hz, here is the fool house third ep : deloreans ayrton senna, somewhere between phoenix, the though alliance and air france, coming with a remix by john talabot, the latest revelation on the excellent permanent vacation label. delorean is an unheard scenario in popular music. 4 barcelonans, free as air, high on o2. gradually moving away from a more hardcore scene they are now ready to embrace a kind of techno that youd play with guitars. they did just that with their 3rd ep into the plateau which was well received in a cross-over underground scene- well before the electro-something ideas and the 80s references became the clichÚs of an overcoded era. in 2008, delorean got stuck into in the remix business working on tracks for mystery jets, big pink and glasser. for now delorean are focused on developing a new type of indie pop and judging by the early support from pitchfork, fader or xl8r this band are ones to watch. its with the greatest pride that fool house welcomes them, for a length of 4 songs, just like a holiday

baltimore trio double dagger creates a cacophonous wall of sound. their dynamic combination of energy, melody, angst, and playfulness is captured exquisitely on their third full length thrill jockey debut. lp is limited to 1.000 copies and includes free download coupon. double dagger has performed with no age, lightning bolt, pissed jeans, pere ubu, and the buzzcocks, and they ve toured extensively with dan deacon and the deathset.

contempt music prodution presents the third hardtechno record with 4 hard banging tracks. orman bitch appears with 3 own tracks and shows that he can become one of the biggest names in the scene. viper xxl and acid flux complete this huuge package!!

played and supported by: italoboyz, pete tong, martinez, sety, misstress barbara, coyu... third release for the label which has been revolutionizing the italian electronic and underground dance scene: after the winter floorfiller no rulez ep signed by skyboy and edo pietrogrande (just to name a few dubfire, loco dice, 2000 and one, sis, raresh...have literally gone mad for without by skyboy), 7 oz records comes out with a killer summer dancefloor hit: donde estas y donde vas, produced by edo pietrogrande, friend and veteran of the label. big remix, expertly produced by david keno (keno records, kindisch)!!!

new years deal - returning to present the third in archipel s excursion series is label boss himself, pheek, and his partner in aural beautification of the world, stefny, who both bring their passions together to form japan excursion joint 3 .

tsunami presents the third part of the seleccion natural series. straight up techno from the spanish masterminds. big beats, heavy bass and freaky soundscapes. another great release in this fantastic series with again a very nice full colour sleeve.

keezako records is proud to present his third release, machine divine ep, composed by hypnobot. two tracks made for the dancefloor offering a fresh and mind blowing approach of electronic music. hypnobot presents his last two productions. he is active on the underground techno field since 15 years but also in the contemporary classic music arcanes. his productions have a unique taste mixing electro-acoustic approach and techno efficiency. hypnobots music describes the fall of an effete world with violence, melancholy, and an innate dance floor sense!! already supported by dj skurge (underground resistance / detroit) and nomadico

sebastian doring and thorsten freese, more commonly known as quality house duo knee deep, drop the third part of their >love ep< trilogy (following on from >big love< and >french love<) with a masterfully constructed 3 part ep of quality productions entitled >sick love ep<. as always, there is a fantastic diversity on offer throughout the package while always maintaining a high standard and playability factor. from the detroit-influenced >gypsy bucket< complete with its modulating synth chords, cracking percussion section and a seriously infectious male vocal loop, through to the quirky, funky grooves of >the it< and the anthemic piano stabs that form the core of the big room affair entitled >what to do<, the >sick love ep< is another fine addition to the knee deep imprints catalogue and a definite must-have for fans of diverse, contemporary and quality house music!!!

third part of kevin gormans elements series..

plattenbau-music presents his first release on vinyl. thegerman label celebrates since 2004 great minimal-techno-partys in allmost every club in berlin. the song chimpys brother chipmunk is remixed with 3 songs by laufmasche, bjoern nafe and roberto mozza. his artist tonkberlin plans two more songs for 2009. laufmasche released his last tracks on snork. bjoern nafe coppled his tracks allready on aspekt records out. the third remixer roberto mozza is a member from plattenbau-music and.

snuff crew (playhouse / nature) sign up for the third release on hhyr. again in best tradition they come up with two old skool inspired chicago house tracks. where feel inside is a deeper journey, slam it is a straight up jacking affair. hhyr natives kink & neville watson remix feel inside into a dance floor monster... bass!

japans haruki matsuo is back! after his club hit dankan on rush hour, geisha dance is harukis third 12inch release. again, haruki delivers what he does best: two tracks of energetic, hypnotic yet spheric techno music.

this third sampler contains the excellent everyday, a collaboration between terry lee brown jnr and the timewriter. gorgeous deep house with a solid techy edge and a lot of soul! the plastic avengers remix of joeseph maliks believe and see is a raw, dirty tech-funk workout, whilst house stalwarts, 95 north, weigh in with a dubby house cut from ten years ago that screams underground! finally, man of the moment, sascha dive, has his deepest america cut remixed by samuel davis, and its a trippy, raw and minimal house swinger! a great 4 tracker, with a nice mix of deep and minimal to please most tastes

(joe & will ask? & zodiac cartel remixes) after the succes of music is the new religion and my punk , the subs now bring you from dusk till dawn , the third single taken from their debut album subculture (llcd5)!

wagon repair are excited to announce the latest ep from berlin based canadian mike shannon. the re-nag ep, his third wagon repair release and first production of 2009, is the latest in a long line of releases from the head of cynosure records, with his work having previously graced imprints from ~scape and num to richie hawtin’s plus 8 records. opener ‘darkstar 3000&#8242,, is a futurist techno stomp. engined by poked melodic tones and a prominent metallic hat, dissonant stealth melodies manoeuvre around percussion and punched bass. biding time to prolong suspense, both bass and key melodic journeys coordinate to climax in a tightly executed sensory assault. ‘sweets (tla mix)’ opens energetically with static percussive tones circling around a pummeling kick. a rapturous vocal takes lead, effervescing within a wind tunnel of wobbly bass melodies and dizzy pads to close. ‘sweets (acapella)’ is an abstract entity, with it’s sole vocal discernibly haunting in the absence of beats and structure. full of texture and space, this is one for the producers that will surely not go to waste.

here comes the third and final part of afu artists remixing afu artists and it s a very nice round up to the first remix series on afu limited! butch s great second release on afu limited gets a very high class remix treatment by none other than thomas p. heckmann himself and the man who likes to whop, gabriel ananda!! heckmann reworked butch s dancefloor killer of 2009 dark fader and pushed the level more than a bit higher with it s deep driving bassline and the ever growing tension and building of the vibe! sure thing this will be heard at peak time at outdoor and indoor parties this summer! ananda chose the excellent nomad track and delivered a very atmospheric and groovy/dubby version, peppered by his own unique style of rhythm and driving force! the man behind such classics as miracle whop, doppelwhipper on platzhirsch and many others surely knows how to bring his skills to life and to make this remix a sure classic again!